Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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James Abbott Mcneill Whistler
Nocturne in Black and Gold

ID: 56968

James Abbott Mcneill Whistler Nocturne in Black and Gold
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James Abbott Mcneill Whistler Nocturne in Black and Gold


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James Abbott Mcneill Whistler

American Tonalist Painter and Printmaker, 1834-1903, He was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.   Related Paintings of James Abbott Mcneill Whistler :. | Symphony in White, | Old Battersea Beach | Robert,Comte de Montesquiou- | Nocturne inblauw and silver of the lights of Cremorne | Arrangement in Gray Portrait of the Painter |
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HUGUET, Jaume
Spanish Early Renaissance Painter, ca.1415-1492 Spanish painter. He is thought to have spent time in Saragossa in his youth (c. 1435-45), and he subsequently worked in Tarragona before establishing himself in Barcelona in 1448. He must, however, have had contact with painting from Barcelona before he moved there, because the centre panel of an early retable dedicated to the Virgin (Barcelona, Mus. A. Catalunya) from Vallmoll, near Tarragona, shows his awareness of the style of Bernat Martorell in the profiles of the two foreground angels, and of Llu?s Dalmau's Virgin of the Councillors (Barcelona, Mus. A. Catalunya) in the illusionistic painting of the Virgin's jewel-trimmed garments. In other early works, such as the Annunciation and Crucifixion from a small retable (Vic, Mus. Episc.),
Catesby Mark
English-born artist-naturalist and Traveller, b.c.1679 d.1749
Giovanni Paolo Pannini
1691-1765 Italian Giovanni Paolo Pannini Galleries Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Acad??mie Française in 1732 and became its professor of perspective.






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